Teacher Favorite Activity Ideas

Teacher Favorite Activity Ideas

Favorite EE Activity Ideas
from PNW Educators

Practical and proven environmental education activities for all grade levels and subject areas, shared by members of the EE community. What is your favorite?

 

naturejournalNature Journal

Kristen Clapper Bergsman

My favorite EE resource is a hardback journal with blank pages ready to fill with observations and revelations. Step into a circle of cedars, nestle down in meadow, or sit down on your back porch stairs and nature emerges all around you. Creative nature journaling is a powerful educational tool for young children and adults alike. I use journaling as both an educational activity and as a way to reinvigorate my teaching and writing.

A hardback journal can take the knocks of being thrown into a backpack and carried into the field. You can waterproof your journal simply by slipping it into a gallon-sized Ziploc bag. Toss in a waterproof pen, a pencil, a sharpener and perhaps a few watercolor-pencils and you are ready for five-minutes or five-hours of immersive journaling.

Some people are hesitant about their drawing or writing skills, but by using some simple journaling exercises, you can soothe people’s fears about their own abilities. Even young children quickly connect with journaling exercises like gesture drawings, blind contour sketches and event maps.

I highly recommend several natural journaling books that provide sample activities and ideas on how to use journaling as an education tool, as well as having pages filled with lush examples of field journal pages. Keeping a Nature Journal by Clare Walker Leslie & Charles Roth (Storey Books, 2000) is an excellent resource for teachers who want to use nature journaling with their students. Into the Field: A Guide to Locally Focused Teaching by Leslie, Tallmadge and Wessels is available through the Orion Society�s Nature Literacy Series. Hannah Hinchman�s A Trail Through Leaves (W.W. Norton and Co., 1997) will provide pages of inspiration.

Complete Citations:
Clare Walker Leslie & Charles Roth, Keeping a Nature Journal. Vermont: Storey Books, 2000. Pg. 181. ISBN 1-58017-306-3.
Leslie, Tallmadge and Wessels,� Into the Field: A Guide to Locally Focused Teaching. Massachusetts: The Orion Society, 1999. Pg. 83. ISBN 0-913098-52-3.
Hannah Hinchman, A Trail Through Leaves. W.W. New York: Norton and Co., 1997. Pg. 192. ISBN 0-393-04101-8.

Kristen Clapper Bergsman is an environmental educator and freelance writer. She owns her own curriculum development company, Laughing Crow Curriculum. She and her husband share their Seattle neighborhood with over 9,000 crows.


handexplore_sm

Changes

Tracy Mosgrove

Grade Level: Kindergarten through High School.

Students take a designated outdoor space and observe the changes in that space over a period of time (several months during a change of seasons works best). Depending upon the age of your students, the size of space and the way in which you record the changes varies.

Kindergarten through primary grades: Measure out one square meter of ground. This can be one space for the whole class, or groups can each have their own square. In simple field journals, students draw and write words or sentences about what they see. Simple language arts and math integration can be used through what they find in their square.

Intermediate through high school: Each group or individual child measures one square (or cubic) meter. Observations can be recorded through the use of a digital camera, field journals, or PowerPoint/Hyper Studio presentations. Math (graphing, data collection), Language Arts (cause/effect, writing descriptions) can easily be integrated.

Intermediate through High School: Each student measures a square meter or takes a larger area (Iíve had students use a mile long hiking trail in a forest). Use science probes, soil testing kits, digital cameras and field journals to research and record data. Talk to builders, foresters, farmers, etc. to find out how the changes in the ground affect their jobs and work schedules. Math (graphing, data collection), Language Arts (cause/effect, writing descriptions, letter writing to industry people) can easily be integrated.

Tracy Mosgrove
Skyway Elementary School
Coeur d’Alene, Idaho
tmosgrove@sd271.k12.id.us


Let Them Eat Cake

Sarah Bidwell

My favorite activity is “Let Them Eat Cake” from Facing the Future: People and the Planet Curriculum Guide. This is a very effective and interactive activity for demonstrating the inequitable distribution of resources around the world. Students are divided into world regional groups (i.e. Asia, Africa, Europe, etc) and given a slice of cake relative to their regions’ share of global resources. The Asia group (about half the class) gets only a sliver of cake, while the one person from North America gets a quarter of the cake! Students really see how consumptive Americans are relative to people around the world. You can download the activity from their website, www.facingthefuture.org.

Sarah Bidwell, Administrative Director Alternatives to Growth Oregon


Fish in the Floodlight

Joanne Day

One of my favorite environmental education resources is the Fisheries and Oceans resource “Fish in the Floodlights.” This package contains nine short plays about salmon for grades 4-7.

The plays are useful for teaching about salmon and there are themes of conservation and also social responsibility.
Drama can be a very creative tool for working with students to both empower them and to widen their understanding of ideas and issues in the world. Critical thinking skills can be developed as the students perform plays adopting different points of view.

Each play also contains suggestions for the use of cooperative learning strategies such as Know, Wonder, Learn, as well as integration with other subjects, such as art and math.

The package is very versatile and allows for plays to be read between students or performed before the entire school.
It can be ordered through the BC Teachers’ Federation Lesson Aids service at www.bctf.ca
Look for it under the title “Salmonids Go to the Ocean.”


web-gameFood Web Game

Joanne Day

Note: If weather and opportunity permits, you may wish to do this webbing activity outdoors (i.e. in the school field). This webbing activity can also be done as a stand alone activity during any outreach event (indoors or out).

1. Review the definition of a food web.

2. Have the students sit in a circle and hand out the species cards randomly. Ask students to put up their hands when their species name is called out. Have a role of string with you to pull throughout the circle, making connections between different species in the food web. At each connection (student), the student is asked to hold tightly to the string. Start with the Sun and pull the string to the plants that require the sun for energy. Then feed the string to the animals that require the plants for food. Continue this process in the order of species below: plankton and bull kelp, barnacles, sea star, crab and shrimp (scavengers, would go after a dead bit of sea star)…now back to another plankton eater (since there are so many animals that eat plankton) – Pacific herring, salmon, cormorant, harbour seal, stellar sea lion, Pacific white sided dolphin, blue shark, killer whale (top predator), and finally the human. By the end of this exercise, the string in the middle of the circle should look like a spider’s web.

While handing out the string revisit the interesting facts of each species and explain again how they fit into this food web. Some examples have been incorporated above. Since the plankton has not been explained extensively to this point, include some information on these free-floating organisms. Q. What are plankton? A. They are “wanderers”; microscopic plants (phytoplankton) and animals (zooplankton) that drift in the ocean currents. Q. Why are plankton important in the ocean food web? A. First of all they provide the base food supply for many of the ocean creatures. Secondly they (along with ocean seaweed) produce over half of the oxygen that we breathe. We always think of the trees in the forests as being important for producing oxygen. They are, however, the ocean plants produce even more than the land plants. Q. Ask the students if this is another good reason to keep the ocean healthy. To reinforce, now or later ask the students to take a big breath and say “Thank you to the plankton and the seaweed!”

3. After the web has been formed get all the students to stand up while holding onto the string. Q. What does the string pattern remind you of? A. Many will say spider web and you can make this connection to the term food web to help them visualize the concept. The students can now see that they are part of a large ocean food web. Revisit with the students some of the factors mentioned earlier on in the presentation that could negatively effect this web (such as oil pollution, overfishing etc). Select one of these disturbances and incorporate it into the activity. An example of this would be oil pollution. Q. After an oil spill what would be the first organisms that would be negatively affected? A. The plankton would die since they would no longer be getting any exposure to the sunlight. Q. If the plankton die what happens to the rest of the food web? A. All the other organisms will be negatively affected. Some of the smaller ones will die and thus will no longer support the larger organisms which in turn will die or have to leave this ocean environment in search of a new food source. Get the students to actively demonstrate this negative impact on the food web. This can be done two ways.

Option 1: Get the plankton to sit down and then a tug the string to the next person in the web directly connected to them. Once the other students feel a tug they also sit down until everybody but the sun is sitting down.

Option 2: Get the plankton to let go of their string. Ask the students what next will get affected (i.e. who has a loose string hanging down, indicating their food source is gone). As the students lose their food source, they too drop their string until everybody is standing up and the entire web is on the floor.

Joanne Day, Information Co-ordinator
Stewardship and Community Involvement Unit
Habitat and Enhancement Branch, Fisheries and Oceans Canada
Government of Canada


PacCoastInfo5Pacific Coast Information Cards

Margy Ransford

Here is a bit about one of my favourite resources, which I use in the classroom and in public education.

Pacific Coast Information Cards, beautifully illustrated black and white recipe-sized cards with pictures of Pacific Ocean species (one species per card) on one side, and a description of the following “need to know” tidbits of info. on the flip side: Common Name
Latin Name
Range
Habitat
Quick Identification (basic physical description)
Predators (or, as I tell the kids, what eats them)
Feeding Type: (“what they eat”)
Commercial Value” (how humans have historically perceived them)
Status: common, rare,
Comments: special features of interest

These cards can be used in many different activities–I like to give a few to each student to sort when introducing classification and let the students loose to come up with their own criteria, or guide them with preset (for example, phyla) categories. Foodchain sequences are another great way to get the students engaged. First nations’ use of the organisms, and harvesting methods in modern economies, are other great focus possibilities.

The Pacific Coast Information Cards were published in 1998 by Oregon and Washington Sea Grant Programs. The artists were Karl Geist, Philip Croft and Mark Wynja, Cooper Publishing, editing , design and production. Gloria Snively at the University of Victoria, British Columbia, Canada, one of my “marine mentors”, was the author, and commissioned the creation of the cards to accompany her “Beach Explorations” curriculum. I highly recommend this resource.
You will want to possibly laminate them for frequent use!

Margy Ransford, past-President, NAME (Northwest Aquatic and Marine Educators)


crumpled-paper-ballCrumple Your Own Watershed

Erica Ritter

Make your own three-dimensional map, and use it to explore how flowing water defines the areas of land we call “watersheds.” This activity provides opportunities for creativity and for meaningful discussion, a great combination for engaging students.

You can have each student make their own, or have groups collaborate.
Loosely crumple a piece of graph paper, unfold it but don’t smooth it out, and tape it onto a stiff backing so that the remaining wrinkles and creases resemble mountain ridges and valleys.
Use brown, purple, or black ink to identify and mark the ridgelines — “where water would ‘choose’ whether to go on one side or another.” These are the lines that define a watershed: on one side, the water will go one direction, and on the other side, the other. (The Rocky Mountains are the classic example of a defining ridgeline: raindrops that fall to earth on either side of the main ridgeline may end up flowing downhill to oceans thousands of miles apart.)
Use blue ink to trace where you think water will gather into rivers, lakes, streams, etc. These are the water-bodies that the water is shed into. Water connects areas of land — discuss various ways water connects landscapes, local bodies of water that define students’ home watersheds, etc.
Use other colors to add farms, houses, factories, roads, cities, etc. If students are planning out an island or city, this process can be quite elaborate. The grid-lines on the graph paper can be used to designate personal land areas in group projects, or to estimate the relative sizes of farms, cities, etc.
When “all done,” bring the landscapes over to a suitable table, and “make it rain” with the squirt bottle. (Squirt water onto the map until it runs down the creases.) See if student’s drawn-in blue rivers correctly anticipated the flow of water; did any cities drown? If landscapes sag, this may be a good opportunity to discuss how forces of nature (including water) can cause similar effects in real life.
In addition to watching the water, watch the colors it carries with it. Colors from uphill things will smear downhill, and water bodies below populated areas will show the effects. If you let the paper dry, the end result is often quite beautiful, with streaks of color from the ridges and valleys.
While watching the colors run, you can discuss connections to local watershed issues, such as dams, agricultural or urban runoff, water-rights negotiations, etc. One of my favorite all-purpose factoids is the “Fido Hypothesis:” in California, Florida, Idaho, and Virginia, researchers have found that dog “doo” runoff from parks and yards contributes dangerous bacteria to lakes and coastal waters, sometimes to the point where it’s unsafe to swim at local beaches. (Dog doo can be responsible for 10%-30% of the fecal coliform bacteria in coastal waters, including the now-infamous E. Coli.)
You can also discuss other kinds of land features, and what their analogies would be: sponges for wetlands, tiny clay dams, permanent-marker forests or other structures that resist runoff.
Some teachers extend this basic activity to teach students to read contour lines. (To make this work smoothly, it’s helpful to crumple the paper around something so that there’s one mountain peak and all the slopes can be reached from outside by the fixed-height pen. This isn’t as useful for showing watersheds, as it tends to eliminate meandering valleys, but it’s way easier to show contour lines around a single mountain.)
Prop a waterproof pen or pencil at a fixed height (tape it securely across a ruler, or stick it horizontally through a paper cup or piece of cardboard, so that the point stays the same height). Slide the pen around against the crumpled ridges, marking an equal-height line. Mark other lines at other heights the same way; 3 or more heights is appropriate. At the end of the activity, unfold the papers. The now-flat paper approximates a topo-map of the origonal surface. (There will be a few discrepancies, and steep slopes will not show up as dramatically as on a real topographical map. A photocopy or photograph of the intact crumpled paper would be more accurate, but not as beautiful.)

This activity has been documented several times, so you may be able to find it online. The version I use is currently available at http://www.omsi.edu/teachers/psd/
2000/watershed/crumple.pdf. Credit goes to Chris Maun for the version in “The Living River: An educator’s guide to the Nisqually River Basin,” and to Greg Dardis who originally adopted that activity for use at OMSI (the Oregon Museum of Science and Industry).

The “Fido hypothesis” was reported in USA Today (06/06/2002, “Dog waste poses threat to water” by Traci Watson, USA TODAY), and in other sources.

Erica Ritter is a science educator at the Oregon Museum of Science and Industry in Portland, Oregon.


Photo by Stewart Wilson from Cranbrook Guardian

Photo by Stewart Wilson from Cranbrook Guardian

Macroinvertebrate Mayhem
Karen Lippy

One of my favorite activities, Macroinvertebrate Mayhem, comes from (of course) the Project WET Curriculum and Activity Guide. If you liked Project WILD’s Hooks and Ladders, you’ll love this one!

Students get to act out macroinvertebrates while playing a game of tag. Sensitive critters have challenging “hindrances” to cope with. For example, caddisflies have to play in their case….a pillow case. And, stoneflies need to get extra oxygen by doing push-ups every ten steps. The mayflies flap their gills wildly.

Various “Environmental Stressors” race around tagging macroinvertebrates out. Survivors play on. Tagged macroinvertebrates can come back, but if they were a sensitive species, they return as a tolerant species.

This activity clearly demonstrates how water quality affects macroinvertebrates and how diversity and populations are affected by the health of their ecosystem.

Karen Lippy is an award-winning teacher in Shelton, Washington.


writing in nature journalNaturalist’s Journal

Tim Maze

One of my favorite activities is simply teaching students to make a naturalist’s journal. Using examples of Olaus Murie’s journal or the journals of Lewis and Clark is a good way to model and begin. We go outside for a few minutes and record the date, place and some weather data and then do a field sketch or a writing in response to a prompt. The journals can be worked into lots of areas of instruction or can become a phenological study themselves. A good journal makes for a good keepsake of a field trip or school unit or year.

My favorite EE resource is simply the outdoors. Just stepping out for a teachable moment in the school yard can be very inspiring. Recently we experienced a beautiful frosty morning, so I took my students out for a quick peek at the huge frost crystals that had formed. Great lesson, followed by cool student questions. The entire experience took maybe 15 minutes. You don’t have to be much of an expert to find something pretty interesting right in your own backyard (or schoolyard!).

Tim Maze teaches at Tongue River Middle School in Wyoming


earthwrmDancing Up Worms: A Teachable Moment

Laurelei Primeau

It was a damp, sunny day, and my grade three class was called to the front lawn of the school for a school-wide portrait. Classes from kindergarten to grade five trooped out and jostled for places on the lawn. My third graders, however, were distracted. They were peering into the long grass at the gigantic earthworms that were wriggling at their feet. Seeing other students shy away and shriek at the worms, my class sprang into action, the bravest of them picking up the worms and moving them to the edge of the grass, away from the stampede of feet. Eventually, we were chastised for holding up the photo, and my worm wranglers were themselves wrangled into place.

With the photo shoot completed, the students looked around frantically for the worms. The questions came fast and furious – why would the worms come out when they’re going to get stepped on? One child suggested that worms come out when they feel the ground shake. We decided to test it and find out. We spread out on the lawn and stomped up and down, and up popped a worm. Jubilant, the students danced more vigorously, laughing. The office staff was laughing pretty hard, too. Every student danced a worm up out of the ground that morning. We observed them, and let them go, and finally headed back inside.

Laurelei Primeau teaches in the Coquitlam School District in Coquitlam, British Columbia</em?\>

K-12 Activities: Monitoring Biological Diversity

K-12 Activities: Monitoring Biological Diversity

K-12 Activity Ideas:

Monitoring Biological Diversity

by Roxine Hameister

Developing a biodiversity monitoring project at your school can help students develop many skills in an integrated manner. Here are some simple ideas that you can use to get your students started.

Children and teachers are being pulled in many directions. Children want to “learn by doing/’ but because of societal fears for children’s safety, they are very often not allowed to play outdoors and learn at will. Teachers are encouraged to meet the unique learning styles of all students but the classroom reality often means books and pictures rather than hands-on experiences. In addition, children are under considerable pressure to be thinking about their futures and what further, post secondary, education they might be considering.

Sometimes children just like science. Many are of the “naturalist intelligence” and enjoy learning how to classify their world. Activities that meet all these requirements are within schools’ meagre budgets and are indeed possible. These projects are equally possible for the teacher with little science or biology background knowledge. The science skills are readily picked up; being systematic about collecting and recording the data is the main skill needed. The curriculum integration that is possible from these projects range from field studies to computer skills, to art and literature; the entire curriculum is covered in these activities. (more…)

Poetry and Science Education

Poetry and Science Education

Poetry as a Tool for Science Communication

 

by Whitney Chandler

Funding for the arts is continuing to be reduced year after year. The importance of serving our children’s right brain has been pushed aside to afford them lessons in math and science. However, further research has many teachers advocating for STEM to evolve into STEAM, including arts in the baseline knowledge that our students should be receiving in their education.

I recently completed my master’s pro- gram at the McCall Outdoor Science School, an extension of the University of Idaho. My program focused on environmental education and science communication, during which I served as an instructor for K-12 students in an outdoor learning environment. For my capstone project, I sought out to track phenological changes from winter to spring through my students’ poetry.

Seeing the world through a child’s eyes is an invaluable gift. It can help to remind you of the magic and the details that you miss as an adult. Left to their own devices, they will explore the undersides of rocks,dig in the snow or sand, climb trees and, as a result, show you the world from a beginner’s mind. Children are enchanted by seeing a deer for the third time that day because children feel as if they are in the wild — even in a managed state park — sharing the same habitat side by side with that animal.

When you think that children are not paying attention and are distracted they will surprise you by noticing the rhythmic croaking of a frog that you yourself hadn’t noticed. One student writes:

Birds calling loudly
Frogs are croaking on the shore
Smells are fresh and clean

Kids can seem so distracted and distractible, but when asked to hone in and focus to create a poem about their present moment, there is a sudden stillness, a quietness that takes over like a morning blanketed in snow. By Emma:

We explore the snow
For the subnivean zone
Finding the critters below

Asking children to work with poetry as a means to express what they are seeing is challenging for them. Through my instruction we utilized haiku poems to observe our surroundings. It required discipline, math, and deep concentration. Each word is chosen with intention and purpose when carefully counting each syllable. A collection of haiku poems were taken from different classes of 6th graders over a four-month period. It was hypothesized that there would be a correlation between the recur- ring themes and the dominate words used in their poems with the progression of the winter season as we moved into spring.

Wordclouds can be used to visualize the frequency that certain words have in a word set by displaying the dominating words in larger font size, while those that may have only occurred once fade into the background. Words such as “and,” “the,” “is,” in addition to others are eliminated during this process. The goal of this project was to see a transition of dominate words like “ice” and “snow” to “sun” and “warmth” through the progression of the season. The incessant cold weather that is common in McCall, Idaho from January to March hindered this result.

To facilitate the poetry sessions, we first discussed that some people communicate differently than others. After practicing exercises communicating without words and then using storytelling as a means of communicating science, poetry was then introduced. They quickly grasped that, in a three line poem, you can adequately describe a place or data set that has been collected. The following is an example of describing water uptake in trees during the winter months:

Like straws, water flows
Filling the tree. Help it grow
Shuts off when it knows

There was a distinct difference between the poems collected during the winter months and those written in late April after the sun and spring had decided to return. The dominating themes and words between the months of January and March consisted of the lessons and activities that had occurred that day. For example:

Fun and exploring
Snowshoeing and hole digging
Eat off bandana

Although the hypothesized results were not realized, there is a strong shift between the colder months and when spring finally sprung in Ponderosa State Park. The poems written in late April were more tactile and focused on the connection to place:

Soft fuzzy cattails
Water moving in the breeze
Bugs flying about

However, no matter the time of year, the students wrote about the lessons they had observed that day, and the poetry sessions served as a reflection and way to digest the science they had been taught during their time at the McCall Outdoor Science School.

Rocks break in the water
Sand is tiny particles
Made of broken rocks

There seems to have been a disconnect made between art and science. They tend to be perceived as separate. However, art can be used as a way to explain science to those that think in a non-linear fashion or have an alternative style of learning. Like taught to these students, we all communicate differently. Although the poetry created by the students does not support the original hypothesis, it supports the argument that the fields of art and science are not separate. What other time would 6th grader Issac have sat down, noticed aspens in the winter light, and written:

The eyes of the aspen
Staring down their winter domain
Saving their sunlight

###

Whitney Chandler has a master’s in natural resources with certificates in environmental education and science communication. She writes passionately about nature and the outdoors, human connections and relationships, and nutrition.

Advice for white environmentalists and nature educators

Advice for white environmentalists and nature educators

by Sprinavasa Brown

I often hear White educators ask “What should I do?” expressing an earnest desire to move beyond talking about equity and inclusion to wanting action steps toward meaningful change.
I will offer you my advice as a fellow educator. It is both a command and a powerful tool for individual and organizational change for those willing to shift their mindset to understand it, invest the time to practice it and hold fast to witness its potential.

The work of this moment is all about environmental justice centered in social justice, led by the communities most impacted by the outcomes of our collective action. It’s time to leverage your platform as a White person to make space for the voice of a person of color. It’s time to connect your resources and wealth to leaders from underrepresented communities so they can make decisions that place their community’s needs first.

If you have participated in any diversity trainings, you are likely familiar with the common process of establishing group agreements. Early on, set the foundation for how you engage colleagues, a circumspect reminder that meaningful interpersonal and intrapersonal discourse has protocols in order to be effective. I appreciate these agreements and the principles they represent because they remind us that this work is not easy. If you are doing it right, you will and should be uncomfortable, challenged and ready to work toward a transformational process that ends in visible change.

I want you to recall one such agreement: step up, step back, step aside.

That last part is where I want to focus. It’s a radical call to action: Step aside! There are leaders of color full of potential and solutions who no doubt hold crucial advice and wisdom that organizations are missing. Think about the ways you can step back and step aside to share power. Step back from a decision, step down from a position or simply step aside. If you currently work for or serve on the board of an organization whose primary stakeholders are from communities of color, then this advice is especially for you.
Stepping aside draws to attention arguably the most important and effective way White people can advance racial equity, especially when working in institutions that serve marginalized communities. To leverage your privilege for marginalized communities means removing yourself from your position and making space for Black and Brown leaders to leave the margins and be brought into the fold of power.

You may find yourself with the opportunity to retire or take another job. Before you depart, commit to making strides to position your organization to hire a person of color to fill the vacancy. Be outspoken, agitate and question the status quo. This requires advocating for equitable hiring policies, addressing bias in the interview process and diversifying the pool with applicants with transferable skills. Recruit applicants from a pipeline supported and led by culturally specific organizations with ties to the communities you want to attract, and perhaps invite those community members to serve on interview panels with direct access to hiring managers.

As an organizational leader responsible for decisions related to hiring, partnerships and board recruitment, I have made uncomfortable, hard choices in the name of racial equity, but these choices yield fruitful outcomes for leaders willing to stay the course. I’ve found myself at crossroads where the best course forward wasn’t always clear. This I have come to accept is part of my equity journey. Be encouraged: Effective change can be made through staying engaged in your personal equity journey. Across our region we have much work ahead at the institutional level, and even more courage is required for hard work at the interpersonal level.

In stepping aside you create an opportunity for a member of a marginalized community who may be your colleague, fellow board member or staff member to access power that you have held.

White people alone will not provide all of the solutions to fix institutional systems of oppression and to shift organizational culture from exclusion to inclusion. These solutions must come from those whose voices have not been heard. Your participation is integral to evolving systems and organizations and carrying out change, but your leadership as a White person in the change process is not.

The best investment we can make for marginalized communities is to actively create and hold space for leaders of color at every level from executives to interns. Invest time and energy into continuous self-reflection and selfevaluation. This is not the path for everyone, but I hope you can see that there are a variety of actions that can shift the paradigm of the environmental movement. If you find yourself unsure of what action steps best align with where you or your organization are at on your equity journey, then reach out to organizations led by people of color, consultants, and leaders and hire them for their leadership and expertise. By placing yourself in the passenger seat, with a person of color as the driver, you can identify areas to leverage your privilege to benefit marginalized communities.

Finally, share an act of gratitude. Be cognizant of opportunities to step back and step aside and actively pursue ways to listen, understand and practice empathy with your colleagues, community members, neighbors and friends.

Camp ELSO is an example of the outcomes of this advice. Our achievements are most notable because it is within the context of an organization led 100 percent by people of color from our Board of Directors to our seasonal staff. This in the context of a city and state with a history of racial oppression and in a field that is historically exclusively White.
We began as a community-supported project and are growing into a thriving community-based organization successfully providing a vital service for Black and Brown youths across the Portland metro area. The support we have received has crossed cultures, bridged the racial divide and united partners around our vision. It is built from the financial investments of allies – public agencies, foundations, corporations and individuals. I see this as an act of solidarity with our work and our mission, and more importantly, an act of solidarity and support for our unwavering commitment to racial equity.

Sprinavasa Brown is the co-founder and executive director of Camp ELSO. She also serves on Metro’s Public Engagement Review Committee and the Parks and Nature Equity Advisory Committee.

Violence, environmental violence, and pro-environmental action

Violence, environmental violence, and pro-environmental action

Violence, environmental violence, and pro-environmental action

Richard Kool
Royal Roads University

hile there are many tasks on the plate of any educator, there are two that, to me at least, really seem essential and that are often overlooked; these tasks are for the educator to both reveal things that might be hidden to the student while being always open to revelation ones’ self, and to provide the student with tools for seeing hidden things.

A domain that seems to be hidden from environmental educators is that of environmental violence: the term ‘’violence’ never appears in the titles or abstracts of our major conferences, and virtually never appears in our published literature. Yet I would argue that environmental education, from its outset, grew out of a concern for the results of the violence our society inflicts on the natural world, a violence that both diminishes the ability of humans to fully function within society and diminishes the ability of the natural world to regenerate itself and thrive.

Thinking about violence
There are many definitions of violence; for example, the World Health Organization (WHO) states that violence is

the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, that either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment or deprivation.

An important part of this definition, though, is the idea of intent; the implication is that if there is no intent, there is no violence. The peace scholar Johan Galtung offers another definition that avoids the necessity of an actor’s intent:

I see violence as any avoidable insult to basic human needs, and, more generally, to sentient life of any kind, defined as that which is capable of suffering pain and can enjoy well-being, lowering the real level of needs satisfaction below what is potentially possible. (Galtung & Fischer, 2013, p. 35, emphasis added)

Both of these definitions offer a set of lenses through which we can understand human violence, which always involve harm to someone or something, and that that harm reduces the ability of an individual to satisfy their needs.

While the world faces many violent settings and contexts, environmental violence in the 21st century puts not only humans, but a great deal of life on earth, at risk. Humans have long had powerful influences on environments, but these influences were primarily local or at the most regional. The historical record is replete with the local destruction of environments which result in societal collapse (Tainter, 1988), and some scholars tells us to not be sanguine about the potential of the future (e.g., Turner, 2012). Violence against the environment in this context is not a natural phenomenon, not something that happens as a natural process. Environmental violence is a direct outcome of human activity, with intent or not, that results in a diminishing of the potential for flourishing of both humans and all the other creatures that inhabit a particular environment.

Forms of violence
For Galtung, the simplest and most obvious form of violence is direct violence, the violence that we do, the intentional violence that we can see and we can directly inflict, violence that can be promulgated through words, knives, handguns, stealth missiles, pesticides and carbon dioxide. Environmental educators can easily imagine direct violence against nature: our textbooks and presentations, to say nothing about the Internet, are full of images of direct violence. In a western Canadian context, the expansion of the Alberta tar sands are an extraordinary form of direct violence causing landscape-level harms, biodiversity-level harms and human harms, both social and health-related (Finkel, 2018). Although our individual acts of direct violence (we would like to believe) may be few and small, it’s hard to get through the day in our contemporary world without some form of direct environmental violence.

But violence is not always done with a knife or gun; “neglect, inaction, gross inequality and unjust structures of society, including from lack of freedom and democracy” (Fischer, 2013, p. 12) can also be forms violence. Beyond direct violence, there is the structure of society, and not simply the words or actions of a particular person, that enact violence on people and planet. This is violence that seemingly just happens, with nobody particularly responsible for it. Galtung calls this structural violence. “There are two reasons for this: it is structural in the sense that no specific actors are indicated, and also in the sense that for the concrete actors that happen to be performing roles in the structure in question no specific motivation is necessary” (Galtung, 1980, p. 183). And not only are no specific actors involved nor does anyone have a particular desire to create environmental harm, any outcome (like a day’s worth of CO2 from driving to and from work) that results from either one’s direct or structural violence is not particularly large; the impacts of all of us that drove to work today cannot individually be detected in the carbon budget of the atmosphere, or be directly related to the reduction of global biodiversity. This is akin to what Kahn (1966) talked about when he spoke of the tyranny of small decisions:

It is an inherent characteristic of a consumer-sovereign, market economy that big changes occur as an accretion of moderate-sized steps, each of them the consequence of ‘small’ purchase decisions- small in their individual size, time perspective, and in relation to their total, combined, ultimate effect. (pp. 44-45)

Structural violence can create many victims without any obvious perpetrators and since the victims are often not seen or even noticed (e.g., people in distant lands, organisms in distant habitats), the violence can seem to be invisible or at least, ignorable. Structural violence is subtle, harder to see than direct violence; we need new lenses that allow us to more-readily see these structural causes that are now obscured by both our worldviews, and by various societal screens and curtains, from our everyday vision. Structural violence can be the necessary outcome of the way a society is structured and these structures, for most citizens, are just the way things are. Structural violence hides in the background, directing our attention away from it and towards examples of direct violence which then grabs our concern and outrage.

We as teachers should be able to examine structural violence with our students as it is the one which leaves us feeling that nothing can be done and that no one is, themselves, actually doing anything particularly damaging. This is the kind of violence that was described by Hannah Arendt (1970, p. 38) when she spoke of the work of a bureaucracy as “an intricate system of bureaus in which no men, neither one nor the next, neither the few nor the many, can be held responsible, and which could be properly called rule by Nobody”. The system and institutions whose structures are causing havoc in the world weren’t intended to create havoc, and we can imagine that no one who actually is responsible for those systems wants such havoc to be occurring. Nonetheless, the unintended outcomes of many small yet significant decisions have led to a world structure that is in fact creating significant and long-lasting problems.

Galtung continued his study by revealing a final category, cultural violence:

The study of cultural violence highlights the way in which the act of direct violence and the fact of structural violence are legitimized and thus rendered acceptable in society. One way cultural violence works is to change the moral color of an act to green/right or at least to yellow/acceptable from red/wrong; an example being killing in the name of the country as right, in the name of oneself as wrong. Another way is by making reality opaque, permitting us not to see the act or the fact, or at least not as violent. (Galtung, 1990, p. 292)

While structural violence normalizes violence as being inescapable given the very construction of a particular society, cultural violence offers us the salve of justification, absolving us of responsibility for the violence. Justifying violence through cultural norms, we can avoid any sense of guilt that might result from the violent actions we engage or are complicit in.

How does it all come together? We drive fossil fuel-burning cars (direct violence) because there is no way to get from our suburban homes to work (structural violence) and since everyone does it, it’s really not too bad (cultural violence). Given these realities, we need to mine tar/oil sands, create tailings, build pipelines and ship product. And some citizens get angry when they can’t engage in economic activity that results in environmental violence, and then elect governments that promise that they will help shield our consciousness from the implications of our actions. “Voltaire put it well when he said, ‘Those who can make you believe absurdities can make you commit atrocities’” (Bandura, 2007, p. 193).

Environmental violence and environmental education
I have three approaches that educators can take with their students to confront the reality of environmental violence in all its forms: direct, structural and cultural.

We can confront environmental violence with environmental non-violence; in the domains we live, with the tools at our disposal, we can work to reduce our engagement in direct environmentally-violent actions. While we might not be able to completely “do no harm”, we all have the opportunity to do what we can and, both individually and collectively, develop a descent strategy to reduce our direct harms. My 30 km bike ride to and from work is a small act of environmental non-violence.

In our educational institutions, we can work to first identify and then reduce direct environmental violence. For example, since the transportation sector produces 24% of all GHG emissions in Canada (just behind the 26% produced by that oil and gas sector) (Environment and Climate Change Canada, 2017, p. 8), schools can look at ways to encourage low-carbon transportation. Walking, biking, skiing, skating, car-pooling, school bus and public transit are all ways of reducing the direct environmental violence of transportation associated with schooling (http://ontarioactiveschooltravel.ca/active-transportation-strategy-for-canada/) . Providing large parking lots at secondary schools for students and staff gives the wrong message if we are trying to reduce direct environmental violence; we should not be encouraging single-occupancy vehicle transportation.

Buildings and electricity combined account for nearly the same GHG emissions (23%) as transportation, so energy retrofits and building conservation efforts can help to reduce the direct violence in those schools that especially use heating oil or natural gas. For example, Destination Conservation (http://www.dcplanet.ca/index.html) is a long-running program that focuses on schools, helping them make significant reductions in their energy and water usage; DC is an exemplar in reducing the direct violence of school building operations.

When environmental educators deal with environmental issues in our schools and classrooms, we tend to focus on the outcomes of the visible forms of direct violence, and can respond with non-violent alternatives.

But at least as important, in terms of our practice, is finding ways to help reveal the cloak of invisibility that hides the structural environmental violence from our purview. Revelatory tools aren’t necessarily easy to find, and we are likely going to have to make some up ourselves. But there are some means at our disposal that can help us and our students come to a deeper understanding of why things are the way they are.

The roots of environmental violence can’t be looked for in the simple surface features of littering and pollution, but rather in the systems and structures that produce as a necessary outcome of their existence the environmental problems we are confronting. As environmental educators, we all need to gain skill and experience in systems analysis (Meadows, 2002, 2008). But it isn’t enough to simply do analysis of the structures in our institutions that result in environmental violence, we need to also look for ways of changing the structure (Meadows, 1999) of the system.

Changing structures involves politics, and this kind of pro-environmental activity is what I’ve come to call environmental anti-violence; the work we do to alter those structural features of our institutions or society that facilitate, or at least fail to stop, direct environmental violence. Students and teachers can work together to change structures, whether they are school board policies, or the actions of various levels of government. Analytical and political anti-violence work of students and teachers can involve things like working to mandate pro-environmental changes of school operations, making pro-environmental presentations to municipal governments, learning how to run for elected office, organizing boycotts and engaging in protests or civil disobedience. As the noted social psychologist Kurt Lewin said, “you cannot understand a system until you try to change it” (Schein, 1996, p. 6). Try to change a system and it reveals itself, and anti-violence work is about getting clarity as to the nature of the system.

But for many of us, students, teachers and parents alike, because of the structures of our systems, we can only do so much to reduce our direct environmental violence. And it might be difficult for us to engage in political action to change those structures creating violence. However, there is always something that we can do, and those things that we can do to try and reverse or even partially-undo our destructive acts are what I have called environmental contra-violence, actions that work to undo the actions that we are all complicit in and responsible for.

In some ways, this is the easiest and most approachable form of action in the face of environmental violence that any of us can take. Actions like recycling, cleaning up local pollution and litter, picking up refuse washed up on our beaches and shorelines, healing habitat loss, alteration and destruction through replanting and re-naturalizing, are all things that we can do. The field of ecological restoration (van Wieren, 2008) is, I feel, the work of contra-violence as its practitioners endeavour to make amends, doing in whatever small and seemingly insignificant ways they can, to undo even a tiny part of the damage are all complicit in as members of our society.

Contra-violence is the kind of work that we can and should do with our students in our communities, working to reduce our wastes (and even trying to not see them as wastes, but as resources), cleaning beaches (in what is truly a Sisyphsian task as each tide can deliver its own load of garbage!), restoring wetlands, bringing butterfly gardens into cities, creating rain gardens, anything and everything that can be contra/against the environmental violence that surrounds us all. Broadly speaking, the work of ecological restoration is a moral act and for some a spiritual act, a form of repentance, of apology, of stepping gently in and assisting natural processes in healing from our damaging actions.

We cannot put an enormous burden on the children to engage in actions that they may be unable to execute; they cannot be responsible for saving the rainforests, or protecting species in habitats far away. But perhaps most important is that as educators, we help to bring the pieces of the problem together, discerning along with our students the linkages between direct, structural and cultural violence. This process of revealing what is hidden, no matter the contexts we find ourselves in is, as I noted at the outset, one of the most important skills that we can offer. And with that revelation, we can work together and can support students and teachers working from their realities, to reduce violence through non-violent, anti- and contra-violent actions.

Rick Kool is founder of the MA in Environmental Education and Communication at Royal Roads University in British Columbia. He has published on the walking speed of dinosaurs, Northwest coast native whaling, museum exhibit design, ciliated protozoan development and the sex life of marine invertebrates. His current work relates to environmental education and how it confronts hope and despair, the potential role and place of religion in environmental education, and conceptions of change in environmental education and communication. Kool is active within the Victoria Holocaust Remembrance and Education Society and is a past president. He also plays the string bass.

 

References

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